Psychoacoustical evaluation of the pitch-synchronous overlap-and-add speech-waveform manipulation technique using single-formant stimuli.

This article presents two experiments dealing with a psychoacoustical evaluation of the pitch-synchronous overlap-and-add (PSOLA) technique. This technique has been developed for modification of duration and fundamental frequency of speech and is based on simple waveform manipulations. Both experiments were aimed at deriving the sensitivity of the auditory system to the basic distortions introduced by PSOLA. In experiment I, manipulation of fundamental frequency was applied to synthetic single-formant stimuli under minimal stimulus uncertainty, level roving, and formant-frequency roving. In experiment II, the influence of the positioning of the so-called "pitch markers" was studied. Depending on the formant and fundamental frequency, experimental data could be described reasonably well by either a spectral intensity-discrimination model or a temporal model based on detecting changes in modulation of the output of a single auditory filter. Generally, the results were in line with psychoacoustical theory on the auditory processing of resolved and unresolved harmonics.